In the cycle of outdoor works a building was associated with an abstract creation, whose shape reveals its character. It also underwent some transformations in the process of creation. If a building could communicate by means of speech it would have a squeaky or low-pitched voice, which you can add to what was said, judging by its shape, its atmosphere and the color selection in the work. Some buildings frighten and have pretension, others are idyllic and optimistic. The originating shapes are carried by the intuition of "a hand", but a designed thought in the synthesis of forms is also perceptible in an author`s intention.